So you’ve finally written that book and now you’re considering getting an
agent. Everyone tells you that it’s the best thing to do and you’ve noticed
that many publishers won’t accept un-agented manuscripts. But what exactly does
an agent do?
Agents get your manuscript read
As has been mentioned before, many publishers won’t accept a manuscript
unless it’s submitted by an agent. This is especially true of the bigger
publishing houses that regularly receive hundreds of manuscripts every week.
Publishers trust that agents have read a manuscript before submitting it to
them. Publishers and editors feel that this added perusal helps save them time
and trouble. This in turn gives your work an extra boost of legitimacy. In
other words, an agent helps you get your foot in the door.
Agents negotiate your rights
Once a publisher expresses an interest in publishing your manuscript, it’s
up to your agent to negotiate the rights to your intellectual property. Most
book publishers buy the right to publish your book as a hardcover and/or soft
cover book in its country of origin. Your agent may then also negotiate what
are known as subsidiary rights for you. Subsidiary rights are additional
moneymaking opportunities for your manuscript. If your agent and the publisher
agree that your book merits a bigger audience or broader distribution, or even
depending on outside interests, the agent can negotiate foreign publication
rights, foreign language rights, movie rights, audio-book rights…well, you get
the idea.
Contracts
Speaking of rights, most writers are lousy lawyers and businesspersons –
they loathe the business end of getting published, which includes reading and
understanding contracts. An agent is an expert at this sort of thing and will
use his or her expertise to negotiate the best possible contract for their
client.
Industry Familiarity
Agents, editors, and publishers travel in pretty much the same circles and
are interested in a lot of the same things, namely the publishing industry. A
good agent keeps track of what’s going on in the industry, what’s hot and
what’s not. They also keep up with the specific needs and wants of the various
publishing companies and their editors. This means an agent will know where
best to send your manuscript in order to maximize its chances of being
published.
Summary
Your agent only gets paid when you get paid, so it stands to reason that an
agent that is representing your interests is going to work hard to make sure
you get as much as possible for your manuscript. This is also an enormous
incentive for your agent to make sure your manuscript gets plenty of attention
from the publisher’s marketing department, and that other important
considerations involving your manuscript are not overlooked. Your agent will
wind up being your literary advocate, and will work hard to help you reach your
goal of being a published author.