Basic instruction on gathering oral "biographies" from family members and/or friends. How to collect this knowledge, preserve it, and pass it down through the generations. from family members and/or friends. I will discuss why and how you can collect this knowledge and how to preserve your work and pass it down through the generations.
Why You Should Collect Oral Histories
So you don't lose your memories. Everyone should be taking steps to preserve their family histories. So much
is lost when an elder person dies without leaving behind their hard won
experiences and memories. For instance, the generation in their 80s and 90s
lived in two tumultuous centuries. They rose to every challenge. They also carry
knowledge of their kith and kin from even earlier times in the form of stories,
songs, pictures, and memories of conversations with their own elders. Your
children and grandchildren will want to know where they came from and someday it
may turn out to be important that they know these histories. Oral Histories
often impart valuable information such as inherited rights (e.g. Native American
tribal membership) or predisposition to certain diseases that may become
preventable in the future. As a visitor to the museum that I work in put it, "If
you know where you came from, it's easier to figure out where you're
going."
Who Are the "Witnesses" You Want to Interview?
Whose Life History you want to record is the first decision you must
make. Be clear about why are you doing a Life or oral History. (Oral histories
do not have to cover whole lives; they can cover a single event through the eyes
of a witness.) For instance, if what you want to know more about is your
family's origins or past, then you will want to interview the oldest member who
is able or willing to talk about that past. Trust is very important to your
success, so it helps if the person you want to interview already knows and
trusts you. Make it a project you are working on together. They are helping you
preserve history, and you are helping them pass along the wisdom of a lifetime.
The rights and feelings of the person you interview is paramount. You
couldn't get this history without the person's cooperation. In return, you owe
them every consideration. If they don't want a recorder (sound or video) then
don't use one. NEVER record people without their knowledge and permission.
Always let them know what you will be doing with the material you gather from
them. Share it with them when you are finished. If you ever benefit monetarily
from the project, it is ethical to share it with those who made it possible.
How to Gather an Oral History
The message is more important than the media. Modern technology, such
as audio and videotapes can help, if used correctly, but is not absolutely
necessary. Your purpose in collecting the information will help determine what
you want to use. It certainly is easier and more fun if you can videotape your
grandfather telling his stories and answering your questions, but if he won't
hear of it, ditch the camera! An audiotape is very helpful, especially if you
are not a fast note taker. If all you want to do is make sure you don't miss
something, you can explain that to a reluctant interviewee and even promise to
destroy the tape in front of them—after you have used it to make sure your notes
are complete. Often you can compromise.
If you use audio and/or video tape machines, your must make sure the person
is comfortable with it and, and better yet, becomes unaware of it. Once
permission to use it has been granted, a recorder can be put out of sight as
long as the microphone can clearly pick up the sounds.
Murphy's Law Will Be With You
FIELD TEST your equipment, preferably in the same place that
interviews will happen. Check the sound quality, the distances, the lighting (in
the case of videotapes or cameras), etc. Nothing is worse than trying to
transcribe interviews from a garbled tape.
ALWAYS take paper and pencil notes—no matter what. Pens are all
right, but take more than one. Ink will run out.
Take a manual pencil sharpener, not an electric one, and make sure
you have good erasers.
Have extra tapes or videotapes with you if you are going
high-tech.
If equipment fails, laugh it off and continue with your trusty paper and
pencil. And bring extra paper. You can use legal pads, steno pads or whatever
you are comfortable with. I like the paper that had a wide margin line so I
could put key words from each answer in the margins. I could easily find
particular topics later. People skip around a lot while remembering things.
Establish a Time Line: "Just the facts, ma'am."
The first interview(s) can help you deal with this problem of meandering
memories. They should be spent establishing a time line of the person's
life. If it is not a whole life, but a single event, a time line of what
happened leading up to, during, and after the event is helpful. You will be
asking questions with factual answers. When were you born? When did you start
school? What dates were brothers or sisters born? Marriages, deaths, joining the
army, all these datable events of a life should be put on the time line. You can
draw an actual line and tape the papers together, so you have a visual
representation of the person's life history. You can just record the dates any
way you want to, just as long as later on you can easily explore it and look for
events and gaps between events. If there are ten years and no events, then next
time ask what happened during those years. You may want to schedule a couple of
"TIME-LINE" sessions, so you have the opportunity to see where you need to ask
more questions. The time line will give you clues to future questions. The rest
of taking an oral history really consists in filling in the blanks and building
on this time line. You go back and fill in the spaces with lesser events, and
more importantly, the memories and feelings elicited by recalling those events.
Don't turn of the spigot of words while it is running. Sometimes, you
will get those memories and feelings while you are just doing the time-line. If
that happens, keep taking notes, or keep the recorder running! Don't tell
someone to wait until later to tell you something.) You may also take off on
tangents and run into events that didn't come up on the original time-line. Put
them in and run with it.
Interviewing Techniques: Closed, Leading, and Open-ended Questions
Closed-ended questions are specific questions with a specific answer.
Questions that can be answered with a "yes" or "no" come under this heading. I
try never to ask a "yes" or "no" question in an interview. I always want more
than a one-word answer. Sometimes you need to ask a specific question, such as
"When were you born?" That's all right when all you really want are the facts,
such as when building the time line or filling in a lost detail. That's about
the only time you want to use them.
Open-ended questions are questions that leave the answer very open to
what informants wants to say. It gives them a topic, but doesn't tell them what
to say about it or even hint at what you'd like to hear. For instance, "Did you
like your grandfather?" is a CLOSED question. But, "How much did you like your
grandfather?" is not totally closed, but it is a LEADING question—it assumes
they liked their grandfather and guides them to say so.
Leading questions are
poison to a good interview because people almost always try and tell you
what they think you want to hear. A good open-ended question is "How did you
feel about your grandfather?" Practice by inventing a few questions and
answering them yourself. For each question, come up with the closed, leading, or
open-ended version of it.
GENERAL HINT
"How/what do you feel/think about…" are good lead-ins for a general,
open-ended question. If the answer they give to a question seems too short,
follow up with "Tell me more about that."
I often go back, even to the beginning of a time-line, and ask questions like
"What is your earliest memory?" "How did you feel when your older sister got
married?" If they claim they don't remember their childhood, there are several
ways to try and elicit information by being a little specific. You can ask,
"What did you want to be when you grew up?" Or "What games did you play?" "Who
was your first friend?" "…best friend?" Even these specific questions should be
generalized…you don't want to lead too much and put words in their mouths.
Remember to use your open-ended questions.
Gradually fill in all the gaps in the timeline and, as you go, record
anything that comes up, even if it doesn't fit in linear time. Emotional life
doesn't follow time lines. Gather jokes, pictures, stories, and memories of
older folks in the family who are long gone. Stories may be second hand, but the
person telling them now is passing along what is important to them or it
wouldn't come up.
The Importance of Active Listening
Silence is (a) GOLDEN (OPPORTUNITY)! It would seem that silence would
be an enemy in an interview. Long, empty spaces in a conversation, when no-one
talks and the tape is going around and around are frightening to the neophyte
interviewer. Make silence your friend. The key is to remember that your
informant doesn't like them either. You can train yourself to wait them out. You
ask a question and your grandfather is silent. Don't panic. It may mean he's
thinking, or he's not sure how much he wants to tell you, or whether he wants to
say anything at all. The best way to make sure he does is to put your teeth
together, keep your lips closed, keep eye contact (smile if you can and its
appropriate—not if you're talking about a funeral) and WAIT…and WAIT…and WAIT.
Nine times out of ten, people can't stand the silence, and what comes out when
the silence is broken can be very emotional and deep stuff. This is the mother
lode of memory. (Make sure that it is not YOUR memories that break this
silence…WAIT!) This technique is based in psychotherapy so don't overuse it. You
are not a doctor. Remember the first rule: the welfare of your informant is your
FIRST consideration.
What to Do With an Oral History
Write it up now: So you've taken your notes and/or filmed or recorded
your interviews. Now comes the hard part. If you have taped or videotaped
interviews, transcribe them, as soon as possible. If its audiotape and you're
planning to do more than one of these histories, it may be worthwhile to invest
in a transcribing machine. If you're REALLY getting into it in a serious way, a
machine with a foot pedal will save you time and sore fingers. Force yourself to
sit down while the information is fresh in your mind and turn your notes into a
written history.
Label and date everything: No material will be any good to anyone, now
or later, if there are no names, dates or descriptions of who and what they
depict.
Keep it safe: It will also be no good to anyone if it disintegrates,
so store all materials in acid-free environments. Fortunately, there is lots of
acid-free paper and photo-storage available at reasonable prices. Digitalize as
much as you can and back up what you put on the hard drive.
Pass it on.: If what you're doing is a family history, then package it
attractively and leave extra paper and space for those who come after you to add
to it. This is a fantastic gift to leave your descendants!
Guess what??!! Just as you (finally!) became curious about your ancestors and
family history, so will your children and grandchildren. I work in a museum and
almost every day, someone laments that "Grandfather knew our family's real
name", or "Grandma told all these great stories…" but they died before anyone
thought to record these memories. To your grandchildren and great-grandchildren,
YOU are the family history. Make it easy on your descendants. Write down and/or
record your own memories, insights, stories, etc. and include it in your
History. Leave it to posterity in your will.