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A History Lovers Guide to Bologna 
 
by Mark R. Whittington June 30, 2005

Basilica di Santo Stefano

This basilica faces a triangular piazza. It consists of a crypt, some catacombs, and four beautiful churches. These are the main basilica, with an angel carved by Michelangelo, the Santi Vitale e Agricola, dating from the fifth century, the octagonal Chiesa del Santo Sepolcro, which may have once been a baptistry, and the Romanesque Chiesa del Crocefisso. The Chiesa del Crocefisso is said to have a stone basin in it’s courtyard that Pontius Pilate used to wash his hands after condemning Christ. More likely it dates from the eighth century and was made by Lombards. An adjoining museum houses a collection of painting and frescos.

Fontana di Nettuno

The Fontana di Nettuno is a huge edifice situated in the street connecting the Piazza Maggiore with Piazza del Nettuno. It was built in 1566, with bronze statues by the Flemish sculpture Jean Boulogne. The fountain is topped by a huge bronze of Neptune, trident in hand and fish under foot, and is surrounded by four angels, representing the four winds, and four sirens, with water spouting from their breasts, representing the four continents known at the time.

Le Due Torri

Pisa boasts of its leaning tower, but Bologna actually has two. They are the Torres degli Asinelli and the Torres degli Garisenda, rising above the Piazza di Portia at the end of Via Rizzoli. The Torres degli Asinelli is taller of the two, with a lean of 1.3m (4.2ft), and 498 steps that you can climb should the mood take you. Torres degli Garisenda is closed to the public because its lean of 3.2m (10.4ft) has been officially declared just too dangerous. In comparison, the leaning tower of Pisa had a lean of about four meters.

Palazzo Comunale

Serving as Bologna’s town hall, the Palazzo Comunale was started in 1462. The bell tower was added later and was made shorter than the one at the cathedral to symbolize the importance of church over civic authority. Its grand central staircase, attributed to the Renaissance architect Donato Bramante, was built wide enough for horse drawn carriages to transport their noble occupants up to the first floor. The palazzo houses an extensive collection of medieval and Renaissance paintings, sculpture and furniture.

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