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J.D. Salinger’s Writing and Film: Five Salinger-esque Films 
 
by Mieko Lindeman July 06, 2005

The Royal Tenenbaums

Angelica Houston and Gene Hackman are the heads of a pathetic family of eccentrics that includes Gwyneth Paltrow, Ben Stiller, and Luke Wilson. All the children are former child prodigies that could never cope with growing out of the safety of being precocious children into full-fledged adult geniuses. Each one has great accomplishments, a playwright, an inventor, and a tennis star, but all still continue to be wrapped up in the cloud of disappointment of their family rather than function as individuals. Despite the familial chains, each character maintains a sort of rigid yet false individuality that is comic and heartbreaking at times. The film is famous (and infamous) for the steady, painstaking development of the characters, rarely giving huge insights into each character and relying instead on constant interaction and individual action to flesh each person out. While it evokes an intense air of detachedness, the intimate details work themselves into a very full picture of family relationships. Dead-pan comedy is prevalent and becomes practically an art form with director and writer Wes Andersen and is a popular aspect of this film as well as many of his others.

The J.D. Salinger Connection: The Tenenbaums are suspiciously close to Salinger’s beloved “Glass” family. In many short stories, as well as the novels Franny and Zooey, Raise High the Roof Beam Carpenters, and Seymour: An Introduction, the Glass family appears in fragments (focusing on one or two characters within one story), though Seymour was clearly the favorite of Salinger. Like the Tenenbaums, the Glasses were a family of former child geniuses that faced extreme difficulty adjusting to adulthood. The slightly cold, professional bonds between both families’ children had a deeper, intriguing core of genuine warmth, acceptance, and trust only family members can give. “The Royal Tenenbaums” focused more heavily on the parental influence, the Hackman and Houston characters, whereas Salinger rarely discussed the Glass parents, sticking mainly to the lives of Buddy, Franny, Zooey, Seymour, et al.

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